Big Apple Sojourn: Interview with Evan and Gil (#1)

One of the great things about classical improv is that you are not dependent on a composer to write something for your particular group. Notation-only players are forced into instrumentations which may or may not line up with whom they would actually like to play with. When you are a music creator, you can play with anyone else who can “speak music” at any level and any instrument.

Duende is an unusual trio: horn, cello, and piano, made up of me, Gil Selinger, and Evan Mazunik. We made a terrific CD (“Mosaic“) some years back (available from www.msrcd.com) where we took medieval and Renaissance music and used it as source material for improvisation. It came about thusly: Evan and I had been working together as a duo for about four years at the University of Iowa, giving improv workshops, concerts, and we made a CD (“Repercussions” – available from www.cdbaby.com). Then Evan left school and moved to New York, where he met improvising cellist Gil Selinger. Evan and I had already worked up some of this early music repertoire during a creative residency we spent at The Centrum (in Port Townsend, WA, on the grounds where they filmed “Officer and a Gentleman” with Richard Gere and Debra Winger). Gil brought some ideas and we had the material for “Mosaic.”

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Cedarville Improv Residency Notes

Evan and I spent three days at Cedarville University in Ohio last week doing a creative residency. I thought I will share some thoughts, ideas, and impressions of our time there in this space.

Tuesday

We arrived almost at the same time at the Dayton airport (Evan coming from LaGuardia and me from the Eastern Iowa Airport) Tuesday evening  and were greeted by our host, Charlie Pagnard (pah-nard), trumpet professor at CU and principal trumpet in the Dayton S.O. Charlie was the soul of helpfulness and good cheer throughout our stay, the perfect host. He set us up in our quarters, a charming inn, and awarded us a van to use during our stay. We got a quick tour of the music building and then launched into a rehearsal for our recital two days hence. The bulk of the concert is improvised on the spot, but some of the pieces have composed parts, e.g. composed “A” section – free improv for a “B” section, with a return to A at the end and/or a coda section.

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We’re back…

Cedarville University

Evan and I are back in our respective stomping grounds (he: NYC; me: Iowa City) from our improv residency at Cedarville University. We had a thoroughly terrific time from wheels up to wheels down (except for anything having to do with airports) and we will be detailing our adventures in this space in the days to come. For the immediate moment, it’s catch-up time: make-up lessons, lesson prep, practice, etc. So cut us yet a modicum of slack and your patience shall be rewarded anon.