I had the pleasure of performing with the ensemble SONE (separate post about this) at the Immediate Music Festival in Denver, CO on April 29 and then (2nd half of the concert) watching the remarkable Dino J.A. Deane use Butch Morris’s system of Conduction to create music with his virtuoso ensemble FLUXCREW. I’d heard about Conduction for a long time, but have never had the pleasure of being at a concert until this one. It was terrific – I enjoyed it all immensely. Dino says that he will be coming out with a book on Conduction soon – I expect to be first in line to get a copy! Anyone, here are clips from that concert – enjoy!
I am on sabbatical this semester, alleluia, and have been having a most informational, inspirational time, traveling around, meeting amazing people, renewing auld acquaintance, giving workshops, concerts, taking lessons, eating and sleeping badly, and generally having a marvelous time. I will definitely need a vacation after all this, but in the meantime, I am salting away tons of creative compost for coming months and more.
One of the wonderful days was when I was invited by the remarkable Mark Harris to join in his Immediate Music Festival at the University of Colorado-Denver on April 29. It was a great day of performance, demos, and presentations, delightfully capped by a 2-part evening concert. In Part I, I had the deep honor and delight to join the fabulous ensemble SONE (Evan Mazunik, piano and Soundpainting conductor; Mark Harris, alto sax, Jane Rigler, flute(s); Janet Feder, (baritone) guitar) in concert, which consisted of several improvised pieces plus making the music for two silent films. Rather than give you any worded description of this concert, I will paste a link to a video of the entire concert below. Enjoy! [Part II of the concert was in another room, where Dino J.A. Deane gave an amazing demonstration of the gestural improv system Conduction with his ensemble. It was my first exposure to a Conduction concert and I was stunned and delighted. Dino says he is coming out of with book on Conduction soon; I plan to order the first copy.
Link to the video of the concert:
It’s been a busy summer – 5 weeks away from home. Two weeks at horn camp in New Hampshire and almost three weeks in Nova Scotia. It’s nice to be home, but I enjoyed my time greatly both places. I’ve talked about it here before, but I want to briefly talk about my time teaching at Acadia University in Wolfville, NS.
The wondrous and amazing Ardith Haley, with music ed rock star Dale Lonis were the instigators of this unique course at Acadia. It’s a 2-year masters of music education program that is done mostly through distance learning, with 2 – two week residency sessions (each July) over the two year period of the course. The participants are are all seasoned music teachers, ranging in age (guessing) from late 20’s to late 50’s; they teach all kinds of music – classroom music, band, orchestra, elementary to high school. They are almost all Canadian, mostly from the eastern end of the country, but a few from the middle and west.
My course for this cohort of 15 consisted of 3 hours a day doing nonjazz improvisation. Teaching this group was not like teaching the students back home at the University of Iowa. These folks are professionals – they do music and teach music for a living. They have great attitudes and they learn fast. Thus, it was a supreme treat for me to work with people like this. The only tricky part is the part that they share with anyone doing improv for the first time – they are very apprehensive about it (I was, too) at first.
Apparently Soundpainting and Conduction aren’t the only ways to use gestures to organize improvisation in groups…