Big Apple Sojourn: Interview with Evan and Gil (#1)

One of the great things about classical improv is that you are not dependent on a composer to write something for your particular group. Notation-only players are forced into instrumentations which may or may not line up with whom they would actually like to play with. When you are a music creator, you can play with anyone else who can “speak music” at any level and any instrument.

Duende is an unusual trio: horn, cello, and piano, made up of me, Gil Selinger, and Evan Mazunik. We made a terrific CD (“Mosaic“) some years back (available from www.msrcd.com) where we took medieval and Renaissance music and used it as source material for improvisation. It came about thusly: Evan and I had been working together as a duo for about four years at the University of Iowa, giving improv workshops, concerts, and we made a CD (“Repercussions” – available from www.cdbaby.com). Then Evan left school and moved to New York, where he met improvising cellist Gil Selinger. Evan and I had already worked up some of this early music repertoire during a creative residency we spent at The Centrum (in Port Townsend, WA, on the grounds where they filmed “Officer and a Gentleman” with Richard Gere and Debra Winger). Gil brought some ideas and we had the material for “Mosaic.”

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Improv in Florida, Part 2

African Grey Parrot - Psittacus erithacus - macro

Florida improv adventures, continued. I’m at the University of Northern Florida as a guest of pianist/composer Gary Smart, Gary is a piano wizard (who can switch from stride to avant garde without missing a beat) and composer who has won a slew of awards, who met Henry Mancini and Leonard Bernstein and others as a young composer and prize winner, who has lived in Alaska, Japan, Germany, Wyoming, and Florida, who has an African Grey Parrot named Doc (who gladly sits on his shoulder for hours and who has his own distinct words for “Time to feed the parrot!” and “Bored!” and who loves to rips No. 2 pencils to bits with his beak), and, who has one of the two classes in classical (nonjazz) improv in the US that every music student must take before graduation (the other is taught by Charles Young at the University of Wisconsin-Stevens Point) (I have had one for 11 years, but it’s an elective and not required).

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