Big Apple Sojourn: Interview with Evan and Gil (#1)

One of the great things about classical improv is that you are not dependent on a composer to write something for your particular group. Notation-only players are forced into instrumentations which may or may not line up with whom they would actually like to play with. When you are a music creator, you can play with anyone else who can “speak music” at any level and any instrument.

Duende is an unusual trio: horn, cello, and piano, made up of me, Gil Selinger, and Evan Mazunik. We made a terrific CD (“Mosaic“) some years back (available from www.msrcd.com) where we took medieval and Renaissance music and used it as source material for improvisation. It came about thusly: Evan and I had been working together as a duo for about four years at the University of Iowa, giving improv workshops, concerts, and we made a CD (“Repercussions” – available from www.cdbaby.com). Then Evan left school and moved to New York, where he met improvising cellist Gil Selinger. Evan and I had already worked up some of this early music repertoire during a creative residency we spent at The Centrum (in Port Townsend, WA, on the grounds where they filmed “Officer and a Gentleman” with Richard Gere and Debra Winger). Gil brought some ideas and we had the material for “Mosaic.”

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Improv in Florida, Part 2

African Grey Parrot - Psittacus erithacus - macro

Florida improv adventures, continued. I’m at the University of Northern Florida as a guest of pianist/composer Gary Smart, Gary is a piano wizard (who can switch from stride to avant garde without missing a beat) and composer who has won a slew of awards, who met Henry Mancini and Leonard Bernstein and others as a young composer and prize winner, who has lived in Alaska, Japan, Germany, Wyoming, and Florida, who has an African Grey Parrot named Doc (who gladly sits on his shoulder for hours and who has his own distinct words for “Time to feed the parrot!” and “Bored!” and who loves to rips No. 2 pencils to bits with his beak), and, who has one of the two classes in classical (nonjazz) improv in the US that every music student must take before graduation (the other is taught by Charles Young at the University of Wisconsin-Stevens Point) (I have had one for 11 years, but it’s an elective and not required).

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Smart Improvising, Or: Improv in the Key(s) of Florida

Topographic map of the State of Florida, USA (...

Spring break isn’t for a week, but I had the chance to come to the University of Northern Florida as a guest of pianist/composer/improviser professor Gary Smart to do some improv  workshops and performing and I leaped at it.

Gary and I go way, way back. There used to be (sigh) such a thing as a Ford Foundation grant for cities to have a composer in residence. A fantastic idea! I was in Anchorage (Alaska) playing in an army band (my clever way of getting out of the draft during the Viet Nam War was to enlist). It was a great time. I was doing a lot of music: playing in the Anchorage Symphony, singing in the community choir, taking lessons, giving lessons, horn choir, practicing hard eight days a week. Near the end of my tour I applied to grad school in horn (U of Wisconsin-Madison – John Barrows); it was too far to go to audition, so I had to make a tape. I hired a woman who had a DMA in piano performance. I gave her the notes some weeks before we had to record… and… she didn’t learn her part very well. Came time to tape, and it wasn’t good. It wouldn’t do at all. I was desperate. Time was running out. I had to send something in.

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Cedarville Improv Residency Notes

Evan and I spent three days at Cedarville University in Ohio last week doing a creative residency. I thought I will share some thoughts, ideas, and impressions of our time there in this space.

Tuesday

We arrived almost at the same time at the Dayton airport (Evan coming from LaGuardia and me from the Eastern Iowa Airport) Tuesday evening  and were greeted by our host, Charlie Pagnard (pah-nard), trumpet professor at CU and principal trumpet in the Dayton S.O. Charlie was the soul of helpfulness and good cheer throughout our stay, the perfect host. He set us up in our quarters, a charming inn, and awarded us a van to use during our stay. We got a quick tour of the music building and then launched into a rehearsal for our recital two days hence. The bulk of the concert is improvised on the spot, but some of the pieces have composed parts, e.g. composed “A” section – free improv for a “B” section, with a return to A at the end and/or a coda section.

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We’re back…

Cedarville University

Evan and I are back in our respective stomping grounds (he: NYC; me: Iowa City) from our improv residency at Cedarville University. We had a thoroughly terrific time from wheels up to wheels down (except for anything having to do with airports) and we will be detailing our adventures in this space in the days to come. For the immediate moment, it’s catch-up time: make-up lessons, lesson prep, practice, etc. So cut us yet a modicum of slack and your patience shall be rewarded anon.

Improv Residency

Cedarville University

I/we will be taking a short break from posts. Evan and I are doing a 3 day improv residency at Cedarville University in Ohio. We will debrief in this space when we get back, but here’s a look at our schedule. We asked them to please use us to the last drop of blood, and they came up with a pretty varied and interesting schedule for us, which will include:

Working with large ensembles: Mixed and women’s choirs; symphonic band; jazz band; brass choir, and orchestra.

Discussions/demos/clinics with Music History class, Aural Skills Class, Irish Music class, Church Administration, Instrumental Conducting, Music Education

Jam sessions with students

Our recital (more of a Cital – no ‘re’ anything) of Really New Music

An improv recital with students who have done an afternoon improv workshop with us.

We can’t wait! We’ll be back next weekend and tell you about our adventures.