08/2/12

Summer fun: Musical Esperanto

A French Omnitonic horn.

I spend two weeks every summer on the faculty of the Kendall Betts Horn Camp in the wilds (sort of) of New Hampshire. It is wall to wall, dawn to beyond dusk horn: masterclasses, lessons, ensembles, presentations, concerts, and – at the end – ice cream and fireworks. The best of all this is

Horn with three Perinet valves

simply being around 50 or so passionate horn players of every stripe, novice to pro, young and old, from all corners of the country and sometimes the globe. It’s so much fun to talk horn and do horn ’round the clock for two intense weeks. This summer was perhaps the best ever (of course, it seems like that every summer). Although I wrote the book on it (Improv Games for Classical Musicians), my usual daily teaching life back home consists of solos, etudes, and orchestral excerpts. At KBHC I get to stretch out (3 hours every morning! Beats the heck out of the Procrustean 50 minute segments that school days are chopped up into) into topics of technique and musicianship, as well as to have some fun with improv. For faculty performance night, I usually try to come up with something unusual (i.e. improv-esque). This time I did three short improvisations with a little help from my friends.

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